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Actors: Jean-Pierre Léaud, Marie-France Pisier, Claude Jade, Dani, Dorothée
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| Review Summary and Plot Commentary about Love on the Run (1979) |
LOVE ON THE RUN is a movie co-written and directed by François Truffaut in 1979. The picture earned a nomination for the Golden Bear at the Berlin Film Festival.
This is the last installment in the Antoine Doinel saga. In this episode, Doinel will divorce Claude Jade, experience some problems with his last girlfriend Dorothée and see again Marie-France -Colette- Pisier, his first love. Overcoming his fear of intimacy, the eccentric Doinel will finally find the right words to convince Dorothée to give him a second chance.
--Daniel Staebler, Resident Scholar
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| Analysis of Love on the Run (1979) |
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Ratings are on a 1-10 scale (Low to High)
Plot
Comedy, primarily
Yes
Time/era of movie:
- 1960's-1970's
Romance/Love/Hugging
Yes
Kind of romance:
- romance (general)
- rekindling lost love/marriage
Kind of comedy
- romantic comedy
Main Character
Identity:
- Male
Profession/status:
- writer
Age:
- 20's-30's
Eccentric:
Yes
- eccentric
- emotionally unstable
- wild
Hair color?
- brunette (Brown)
Hair type
- (man) short/standard straight
Body type
- (man) average
Unclothed?
- Chest
Events of movie makes character more...
- happy
Ethnicity/Nationality
- French
How sensitive is this character?
- middling sensitive to others' feelings
Sense of humor?
- Mostly serious with occasional humor
Intelligence
- Average intelligence
Physique
- average physique
Secondary Main Character
Identity:
- Female
Hair color
- brunette (Brown)
Hair style
- (woman) medium/shoulderlgn curly
How much in movie?
- 40%
Ethnicity/Nationality
- French
Main Adversary
Identity:
- none
Setting
Europe
Yes
European country:
- France
Misc setting
- moving train
Style
Accounts of torture and death?
- no torture/death
Movie makes you feel...
- spiritual
Sex/nudity in movie?
Yes
What kind of sex:
- kissing
- seeing breasts
Non-American film?
Yes
What language?
- French
Subtitles?
- Yes
If soundtrack VERY NOTICEABLE...
- Orchestra/classical
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Note: the views expressed here are only those of the reviewer(s). | |
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